A) Most Surreal:
Don't set me free I'm as helpless as can be Just my librium and me And my EST makes three
B)Most Experimental
the weather's grim ice on the cages me i'm robin hood and i puff on my cigarette panthers are steaming, stalking, screaming
C) Bowie as a person
I say, "Don't ask me, I don't know any hallways" But they move in numbers And they've got me in a corner
D) Most silly
Uncle Arthur - follows Batman!
E) Most Romantic
There's such a sad love Deep in your eyes A kind of pale jewel Opened and closed Within your eyes I'll place the sky Within your eyes
F) Most Annoying
the whole of 'Black Country Rock'
...The sheer wit of the witless...
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All the madmen? Not quite sure how you can see that as a surreal line? It's perfectly straightforward within the context of the song... And Black Country Rock is Bowie's hilarious attempt at being T-Rex. Very funny, methinks, not so much annoying. Anyway - enough complaining:
Here are my choices for this interesting take on the "name your-****-Bowie-song-game":
A: Surreal:
Bleed Like A Craze, Dad - most notably the lines: Astral, Kestrel,/ Fed into the featherfall/ Fed him on a pencil carving/ You will never get - which make absolutely no sense to me, really...
B: Experimental:
African Night Flight, all of it really but especially: African nightmare one-time Mormon More men fall in Hullabaloo men I slide to the nearest bar Undermine chairman I went too far Bent on a windfall rent a sony Wonder how the dollar went down Gotta get a word to Elizabeth's father Hey no, he wished me well
C: The Man:
Teenage Wildlife, funnily enough. I've always thougth this to be the most autobiographical song in the entire back catalog - even mentions his name... A perfect view into the psyke of a man hounded by the likes of ms. Numan and Steve Strange down the hallways of the record industry...
D: Silliness:
An early song, admittedly, but who knew mr. T was such a fan? Well, I pity the fool I said I pity the fool You know I pity the fool
E: Romance:
No romance like the doomed, starcrossed kind! We Are The Dead, indeed: One thing kind of touched me today I looked at you and counted all the times we had laid Pressing our love through the night Knowing it's right, knowing it's right
Now I'm hoping some one will care Living on the breath of a hope to be shared Trusting on the sons of our love That someone will care, someone will care
But now We're today's scrambled creatures, locked in tomorrow's double feature Heaven's on the pillow, its silence competes with hell
F: So annoying!
Just all of Tonight really. Reggae, Tina Turner - oh do go away...
(G: Kinky:)
Well... Subtle it aint Sweet head, give you sweet head (spoken: while ya down there)
See my eyes of blocked emotion, see my tremble, see my fall Traumatics thick and fast, your faith in me can last Besides I'm known to lay you, one and all
A ritual in search of a philosophy
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a) most surreal lyric
But we can't stop trying 'til we break up our minds Til the sun drips blood on the seedy young knights Who press you on the ground while shaking in fright
b) most experimental lyric
TVC15, Beauty And The Beast
c) lyric that best describes Bowie as a person
Every chance, every chance that I take I take it on the road Those kilometres and the red lights I was always looking left and right Oh, but I'm always crashing in the same car
d) most silly lyric
Ziggy Stardust
e) most romantic lyric
We'll buy some drugs and watch a band Then jump in the river holding hands
f) most annoying lyric.
The Jean Jenie
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