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candidate0
(electric tomato)
05/03/07 03:27 PM
Lou Reed The Boxer  

Does anyone know if it is true that Lou Reed punched Bowie repeatedly some time in the late 70s and had to be dragged away by minders.
If so why did it happen?



KAdministrator
(thunder ocean)
05/03/07 03:29 PM
Re: Lou Reed The Boxer new [re: candidate0]  

Not repeatedly. But yeah, Lou did punch Dave around 1978 (I think). If I remember correctly they were talking of the possibility of making an(other) album together, Bowie said that Lou should clean up his act before it could happen and Lou took offense to that.

"See what happens when you flaunt your mighty sceptre?"
- Ohramona on my promotion to administratorship

SoulLoveChild
(acolyte)
05/03/07 05:03 PM
Re: Lou Reed The Boxer new [re: K]  

I dont blame him, coming from Bowie in the 70's


Love is the Province of the Brave

ziggfried
(acolyte)
05/03/07 10:54 PM
Re: Lou Reed The Boxer new [re: K]  

In reply to:

Lou did punch Dave around 1978 (I think).


Close. It was 10 April 1979. Allan Jones is the music journo who wrote about it for Melody Maker:

FIGHT OF THE WEEK
LOU BOPS BOWIE
by Allan Jones, April 21, 1979


The word was that Lou Reed wanted to see me backstage after the show.

He also wanted to see Giovanni Dadomo, a freelance writer who had recently contributed an enthusiastic preview of Lou's Hammersmith Odeon concert to Time Out, the London listings magazine.

Howard Harding, the Arista press officer who had been dispatched with the invitations, led us backstage. We lingered awhile in the bar, to allow Lou a moment or two to cool down after his performance. We had a drink and lingered. There was no sign of Lou. We had another drink and lingered. There was still no sign of Lou. We lingered awhile longer. Howard Harding went off to find Lou.

He returned five minutes later.

"Aaah," he said. "Lou's gone."

Bloody typical, we all agree.

"I'll try to find out where he is," Howard Harding promises.

Lou, he informs us upon his return, is having dinner at a restaurant in South Kensington. He is with David Bowie.

"He says he wants us to go over," Howard tells us.

Dinner with Lou and the Thin White Duke! Seems a damned attractive proposition. Howard notes our enthusiasm and agrees to drive us to the restaurant - the Chelsea Rendezvous in Sydney Street.

"They'll be on the pudding by the time we gets there," Giovanni Dadomo reflects.

Lou and David are in a huddle together at the head of their table when we arrive.

Lou has his arm around David's shoulder. David is smiling. Lou is laughing, slapping the table. David seems content to play a supporting role. Lou talks. David listens, hands cupped together, elbows on the table in front of him.

We are shown to our own table. Howard presents himself to Lou, tells him that Giovanni and I have arrived.

"Lou says to go over," Howard tells us.

Giovanni leads the way. Lou takes him firmly by the hand.

Bowie, meanwhile, looks up at me.

"Allan," he says, extending a hand.

"David," I say, taking it.

"Nice to see you," says David. "How are you?"

Bowie's charm is overwhelming.

"Allan," roars Lou.

"Lou," I reply, less raucously.

He clasps my hand, nearly breaking a finger in the process. He yanks me across the table. I almost end up sprawled in Bowie's lap. I have an elbow in the remnants of Lou's dinner.

"Do you know Allan?" Lou asks Bowie.

"We meet occasionally," he tells Lou.

"Did you see the show tonight?" asks Lou.

"I'm still recovering," I tell him.

"Good," says Lou. "What did you think of it?"

"I felt like I was been given a good pistol-whipping."

"You probably deserved it," Lou snaps.

I decide to leave them to their supper.

"Yeah," says Lou. "Go."

I go. Lou turns back to David. They get their heads down, the old pals' act well under way.

Lou gets up and waddles down the restaurant to talk to some people at a table adjacent to ours. He deposits some dirty dishes on the floor, grabs a chair for Bowie who's followed him. There is a considerable amount of mutual backslapping, good times remembered. They exchange dates; contemplating some joint project in the near future, it appears.

Lou orders Irish coffee.

It is delivered.

Lou and David raise their glasses in a toast.

"To friends".

It's a touching scene.

They return to their original places, resume their conversation.

Five minutes later, the place is in uproar.

Bowie has said something to Lou. Lou is not entirely enamoured of the comment. He fetches David a smart crack about the head; fists are flying. Most of them are Lou and they're being aimed in violence at Bowie. David ducks, arms flying up above his head. Lou is on his feet, screaming furiously at Bowie, still lashing out.

"Don't you EVER say that to me!" he bellows, hysterically, "Don't you EVER fucking say that to ME!"

About nine people pile on Lou, wrestle him away from Bowie, drag him away from the table. There's an arm around his throat. He continues to spit insults at Bowie, who sits at the table staring impassively, clearly hoping Lou will go away. Lou shrugs off his minders (or are they Bowie's?). There's a terrible silence. People are watching open-mouthed in credulity. Howard Harding looks as if he might die.

Lou sits down next to Bowie. They embrace. There is a massive sigh of relief. They kiss and make up. We wonder what on earth provoked the argument and Lou's fit of violence.

"Perhaps," suggests Giovanni Dadomo, "David tried to pinch Lou's Bakewell tart."

Meals are resumed. More wine is brought to the tables.

It looks as if the tiff has blown over.

The next thing I know, Lou is dragging Bowie across the table by the front of his shirt and fetching him a few more smart slaps across the face. The place explodes in chaos again. Whatever David said to precipitate the first frank exchange of conflicting opinions, he's obviously repeated. The fool. Lou is beside himself with rage and rains slaps down upon Bowie's head before anyone can drag him off.

"I told you NEVER to say that," Lou screeches, fetching the hapless Bowie another backhander; another furry of blows follows in hot pursuit. Lou is batting David about the top of his head. David cowers. Lou looks like an irate father boxing the ears of a particularly recalcitrant child for pissing in his slippers. He gets in a few more whacks before the minders haul him away from Bowie. He will not calm down. He tussles and struggles, tries to launch himself again at Bowie.

The silence that follows is ghastly.

Lou's party decide to leave. Lou is escorted from the restaurant by an especially large fellow. He has his arm around Lou's shoulders, less in support than restraint. Lou has a look of ferocious blankness, his face set in a fierce scowl. His eyes look dead. He leaves with his party.

"Good Lord - what happened?" asks Howard Harding.

Bowie is left at the head of the table. It's a desolate scene. The table is covered with the debris of the meal and overturned wine bottles.

He is joined by two friends (a man and a woman; they are never successfully identified). Bowie sits with his head in his hands. He appears to be sobbing. He seems to be trying to explain what happened between him and Lou.

I decided to play the fearless reporter and wander over.

"I've just come to say goodnight," I say.

"Oh," says Bowie. "Why don't you join us?"

"There isn't a chair," I tell him.

"Then sit on the table," he replies, a little testily.

I sit on the table.

I tell him that I'm sorry that his reunion with Lou seems to have ended so disastrously.

"I couldn't hear what was going on ... Lou seemed very upset ..." I mutter.

"Yes," says Bowie, wearily. He seems close to tears.

"It was nothing. It's all over," says his female companion.

"It isn't," says Bowie, hands clenched, eyes glaring.

"If it hadn't been for the heavies, they would have bloodied each other's noses and it would have been all over and they'd have been all right," his companion says.

The idea of Bowie bloodying anyone's nose seems remote.

"Are you a reporter?" someone asks.

"Yes," I admit. "But don't worry - you won't see any of this on the front page of the Daily Express in the morning."

This is intended as a feeble joke. No one is amused.

"You'd better go," I am told.

"David's just invited me to stay," I protest quietly. "I was just wondering what happened."

This does it.

Bowie leaps to his feet.

"Fuck off," he shouts. He means me. "If you want to know what happened, you'll have to ask Lou Reed. Don't bother me with your fucking questions. Ask fucking Lou. He knows what fucking happened. He'll tell you."

"But he's already gone," I remind Bowie.

Bowie, angry, with tears in his eyes, turns on me. He grabs me by the lapels and shakes me. I fear he might rip the jacket (recently worn by Mike Oldfield on stage in Berlin, it is of considerable sentimental value).

"Hey," I protest eloquently.

"Just fuck off," Bowie swears, shoving me back. "You're a journalist - go and fucking find him. Ask him what happened. I don't know." He pushes me again, turns away, knocking over a chair. I am grabbed from behind and dragged away. I return to my table.

"I think you've upset the Thin White Duke," remarks Giovanni Dadomo.

"I think perhaps I have," I reply.

Bowie sits down again. Then he stands up, furniture starts to fly.

"Aaaaah fuck," he declares. He pushes his way down the restaurant, chairs are kicked out of the way. He begins to climb the stairs to the street. Most of the steps on the stairway are decorated with potted plants and small shrubs, and a palm tree or two. Bowie smashes most of them on his way out. He kicks a few, up-ends the others. There is a most terrible mess on the stairs.

The remaining guests are speechless at this further outburst. The waiters look on, astonished. We share their amazement.

The damage, it turns out, is not expensive. I discover later in the week from the manager of the Chelsea Rendezvous that Bowie has sent "a bodyguard" to the restaurant to pay for replacement of the demolished plants; a cost of about £60.

The cause of the altercation remains, however, obscure. Lou flew out early the next morning to Dublin, cancelling all engagements.

The most popular explanation suggests that Bowie had been discussing with Lou the possibility of producing his next album.

Bowie, though, is said to have demanded one thing before committing himself to the project: that Lou clean himself up, and get himself together.

If Lou didn't clean up his act, David would refuse to work with him.

Lou, perhaps, was outraged at the suggestion that he was too untogether, and replied by belting David. The bully!

A further irony is added to the tale the following morning when it is announced that Bowie's new single is called "Boys Keep Swinging".

Oh, how we laughed.

END


Jones provided a shorter version of the story, with some extra details, on the Uncut website on 14 March 2007. In this version, Bowie apparently takes a swing at Allan Jones!

The Night Lou Reed Bopped David Bowie

The news that Lou Reed is going to be playing his brilliantly grim Berlin song cycle in its entirety at London’s Hammersmith Apollo in June reminds me of when he played what was then known as Hammersmith Odeon, in April 1979, a night that ended in some mayhem, with Lou smacking the proverbial fuck out of David Bowie.

Continued...

Lou was in London to promote his new album, The Bells, and was in a spectacularly cantankerous mood from the off. He kept the house lights up, to the discomfort of many, and in no uncertain terms announced that he wouldn’t be playing any of his classic songs, especially “Heroin”. If anyone was waiting for him to play the songs they’d been hoping to hear, he sneered, they could leave now – because he wasn’t in the mood for revisiting his back catalogue, of which he was anyway caustically dismissive.

An increasingly restive audience sat through an hour of the new album, and a 45 minute version of The Supremes’ “You Keep Me Hanging On”, sung by his bass player Ellard “Moose” Boles, which drove most of the audience screaming into the night, cursing the money they’d wasted and spitting blood at Lou’s perverse moodiness.

As soon as they were out of the theatre, Lou started a greatest hits set with a magnificent version of – yup! – “Heroin”.

After the show, I was invited to a dinner Lou was hosting at a restaurant in Knightsbridge, where I found him at the head of a table, deep in conversation with David Bowie. The pair had famously fallen out a few years earlier, but now seemed to have made things up and were behaving like the greatest of pals.

Until, that is, David said something to Lou that Lou reacted to by blowing up like a small but incredibly livid volcano. To everyone’s sudden shock and shaken amazement, Lou grabbed Bowie by the shirt front, hauled him across the table and started slapping him somewhat fiercely around the face, Bowie’s cheeks reddening dramatically and tears very quickly streaming down his face.

“Don’t you EVER say that,” Lou howled, thwacking David several times more before they were separated.

The silence that followed was grave, everyone afraid to say anything, much relief rushing through the room when Lou and David then embrace, kiss and make up amid much hugging. Things appear to have returned to what passes in this sort of company for normal, when Lou is at it, again, dragging Bowie back across the table and slapping him fairly senseless.

Whatever David had said to ignite the original skirmish, he has rather foolishly repeated.

“I told you NEVER to say that,” Lou screamed at Bowie, getting in a few more solid-looking punches before they are again separated and Lou, bug-eyed and struggling, was escorted from the restaurant.

Bowie was now alone at the table, surrounded by culinary chaos, dinner plates overturned, that sort of thing. I thought I’d go over for a consoling word and did, also asking David what he actually said to Lou. This caused more major ructions, with Bowie now taking a pop at me, the pair of us tussling roughly before Bowie’s security people march me back to my table and Bowie leaves in a huff.

“Goodnight, then, Thin White Duke,” I called after him, as he disappeared up a flight of stairs. There was a moment’s ominous silence and then a flower pot smashed into the wall at the foot of the stairs, just to the right of where I was sitting.

Bit of a night, all round.


...was that Jones's final word on the matter? No way! Some added tesimony from Chuck Hammer in this one, including the amusing detail of Bowie trying to continue the fight with Lou later on:

More On The Night Lou Reed Smacked David Bowie In The Face

I was recently moved to reminisce about the night Lou Reed invited me to dinner after a show at the Hammersmith Odeon, an occasion that famously ended up in chaos when he was annoyed by something David Bowie said to him that sparked off quite a lively assault, Lou smacking Bowie somewhat savagely around the head.

Continued...

What David actually said to Lou to spark off the assault has long-since been the subject of much speculation. Just before it all went off, the pair took a circuit of the restaurant in Knightsbridge where we were eating, toasting each other and their renewed friendship.

Whatever David said that ignited Lou’s fury, he made the mistake of repeating within minutes, thus provoking another flurry of slaps and punches and Lou’s dramatic departure – frogmarched out in the grip of his own minders, probably for his own good as much as Bowie’s or anyone else’s.

My thanks to Chuck Hammer, who had played that evening with Lou at Hammersmith, and has replied to my post with the following email, which takes the story on a little further:

‘As a guitarist in the Lou Reed band at that time, I was actually sitting next to both David and Lou at dinner when this exchange took pace, I can tell you exactly what transpired verbally.

‘Lou had been discussing details regarding his upcoming new album- as yet un-recorded. Lou asked David if he would be interested in producing the record and David replied yes - but only upon the condition that Lou would stop drinking and clean up his act. And upon that reply, the aforementioned chaos ensued.

‘It should be noted that this verbal bantering also continued into the night back at the hotel -With Bowie in the hallway demanding that Reed "come out and fight like a man" Eventually it all quieted down as Lou never reappeared to continue the fight, and was most likely already fast asleep.’

Boys keep swinging, indeed.




to_dizzy
(crash course raver)
05/04/07 08:10 AM
Re: Lou Reed The Boxer new [re: ziggfried]  

Reed and Bowie, both very small men, were mocked in the press about this fight. National Lampoon likened it to "two men trying to put out a fire." But never underestimate the fighting ability of fierce, little men.

I remember growing up with a guy about 5'4". He fought often and fought well, you couldn't see his hands he was so fast. When Quine first met Reed, Quine said that Reed told him that if Quine looked away, around the room again, Reed would punch him.

I think Reed is one of those fast, mean little guys. Another one of them in rock and roll is the late lead singer of Lynyrd Skynyrd, about 5'4", he famously beat the shit out of everyone and anyone around.



candidate0
(electric tomato)
05/04/07 09:07 AM
Re: Lou Reed The Boxer new [re: to_dizzy]  

especially if they told him to sort out his dodgy perm.



ziggfried
(acolyte)
05/04/07 02:38 PM
Re: Lou Reed The Boxer new [re: to_dizzy]  

I think Lou's got a storied history of being more adept at psychological abuse than physical abuse.

Also, his method of kicking John Cale out of the Velvets (sending Moe and Sterling round to break the news, rather than tell him face to face) smacks of cowardice. Yeah, Lou, you heard me: you are a fucking wimp!




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