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(cracked actor)
11/11/07 00:56 AM
Bowie karaoke?  

At the moment I am starving and jobless in Japan due to circumstances beyond my control.

However, before it all turned sour I spent many happy an hour in karaoke booths singing until peoples ears started bleeding and drinking vast quantities of sake and sho-chu until I could no longer see.

My question you people is what is a good david bowie karaoke song? I tried 'modern love' and it was horrible, an unmitigated disaster, i had to stop half way through. Does David Bowie just not lend himself to karaoke? How can that be true when Kate Bush and Iron Maiden have proved such winners?

he bought me a soda and he tried to molest me in the parking lot

11/11/07 02:00 AM
i recommend `don't stop believing' new [re: Rose_Stardust]  

i think the songs you do all depend on who you're with.

China Girl has never led of astray before though.

Je est un autre

(stardust savant)
11/11/07 06:45 AM
Re: Bowie karaoke? new [re: Rose_Stardust]  

If you're asking which songs are easy, that generally depends on your vocal range. You should probably avoid Changes, Life on Mars?, and Starman. Space Oddity is hit or miss - sometimes the crowd gets with you and drowns out the parts you struggle with, sometimes they don't.

If you're going for crowd reaction, general karaoke rules apply. People respond well to performers who dance and/or are loud; people respond well to songs that they can dance to or be wail along with. On that front:

Young Americans: Dance you monkey bastard! Young Americans is a more difficult song than it appears at face value, both due to dramatic changes in pitch and the wearing-out effect of its pretty much relentless vocals. If you watch Bowie's live performances, you can really see this: He generally drops the high points back in line with the rest of the song (even "break down and cry!", excepting when he lengthens the pause - not an option for karaoke, unfortunately), and his voice really starts wearing thin as the song goes on. Typically the line "look at your hands shake" barely gets croaked out, and you'll understand why if you try to master the song.

Golden Years: Similar case to Young Americans, except less dancy and slightly less well-recognized. Fortunately, also easier. Be sure to meter your output between "one of these days" and "ALL THE WAY!", as it's a lot of lyrics to get through without a breath, and you have to be loud at the end.

Let's Dance: Pretty safe choice, as the crowd will probably know it. Ironically it's kind of hard to dance to, particularly while trying to project some serious-moonlight cool. Fairly easy vocals to deliver, and has some points where you can get loud (remember that, in karaoke, more is more when you get to line like "tremble LIKE A FLOOOOOWWW-ERGH!")

Jump They Say: Fits my vocal range fairly well, so I'm partial to it (plus I just dig the song). One of the more danceable tracks, which makes it work; unfortunately, it's not a song anyone's gonna know, so you will have to sell it to them, and fast.

Rock 'n' Roll Suicide: A middle-ground choice. Unless there are Bowie fans in the room, no one will be paying attention for most of it - but, if you really, really work the loud lyrics at the end, you'll pull them back in.

China Girl: A very strong choice. I have a personal habit of trying to do it in a more Iggy Pop style (which is blown the instant the opening bars come up, but whatever), which confuses people at first, then they begin to enjoy the weird gyrations, then they really start enjoying the yelling of the lines near the end. Performed as Bowie does, I think it would get an overall positive reaction, but I think it would be boring to be the person actually singing it.

Under Pressure: Sigh. This song is a disaster waiting to happen. It needs to be a duet, both people need to know the song very well, specifically which lyrics are sung by which person. To top it off, neither Bowie's nor Mercury's vocal part is anything close to easy. To top it off, despite being recognizable, it's hard to be very animated about. Unless you have it down pat, you will probably just end up irritating people slightly.

Blue Jean: A decent number of people will probably know it, but make sure that you do - you will need a lot of stage presence to pull it off properly. Be intense, and when the time comes, be very loud (the second point, if it's not clear, applies to every song.)

Suffragette City: Move your legs at the pace of this song and people will love it, no matter how badly your vocals are. Also a good song to employ some leg kicks. If you do not feel ready to pass out by the time the song is over, you probably did not try hard enough.

Rebel Rebel: I haven't found a way to make this one work. It's a well-known song, so often you'll get a good reaction just when it comes on; after that though, it's really kind of boring, by karaoke standards. For one thing, it's slower than the attitude of the song suggests. And there's also not much to dance to. Most significantly, it's really repetitive, which means you're apt to get bored up there doing it. What generally happens is sort of a negative feedback loop, where the crowd cools a bit after their initial reaction, and you begin to realize that it's going to be like this pretty much all the way to the end so you start to get anxious to see it end, the crowd picks up on that and starts to share your feelings... I feel like there must be some way to keep that initial moment of interest alive and transform it into a solid performance, but I haven't found it yet.

Ziggy Stardust, Ashes to Ashes: I bomb on these vocally, and they don't offer me much opportunity to save it with silly dancing, so I'm not fond of them. Still, they're well-known enough that you could probably get a decent reaction if you sang them well.

Absolute Beginners, Sorrow, Drive In Saturday, et cetera: People won't know the songs and you won't have many options to bring them in. Save these for moments of pure self-indulgence.

Also, some songs not listed under Bowie that can be done in a Bowie style:

Let's Spend the Night Together: Obviously a bit slower and much steadier than Bowie's cover, but you can still adapt Bowie's vocal inflections to most of the lyrics. Also fairly dance-able. The crowd will like it, but only if you work hard at it; otherwise, it becomes fairly boring.

Alabama Song: Again, slower pace than the Bowie cover (this particular one is available in so many different versions that it may not always be the case, though). Another one that the crowd won't care about, even if you nail it, but sometimes fun all the same. Throw in an "auf wiedersehen" and look around for that spark of recognition - you won't find it.

All the Young Dudes: Can certainly be done in a Bowie style! The Mott version will have a lot of "extra" lyrics showing up on screen, but don't let them throw you off. It is, however, kind of a boring song; I recommend looking at David Live and stealing some of those vocal riffs (although be careful about getting too used to the slower tempo of that version), as those add at least some interest.

Across the Universe: You can throw Bowie-style vocals on top of the Beatles-style instrumentation, but it will still be as agonizingly boring as the Beatles version.

The Man Who Sold the World: Some places have this listed under Nirvana, with instrumentation very like their Unplugged cover. This one comes right back to Bowie if you approach the vocals in that manner. Crowd reaction has also been more positive than I could ever understand, considering this is a non-dance song without a ton of pop appeal.

Hurt: Generally listed under Johnny Cash, I think. Just remember how boring Bowie's version was - yours will probably be worse.

Lust for Life: Hey, music by David Bowie at least. Everyone knows it and people will like it if you are very loud and do not stand still. The Passenger is available in some places but I haven't had occasion to do it; I imagine it would bomb.

My Way: If you're really hardcore, memorize the lyrics for Even a Fool Learns to Love and confuse the fuck out of everyone in the bar.

TW's Top Fag!

(legendary cowboy)
11/11/07 08:20 AM
Re: Bowie karaoke? new [re: Rose_Stardust]  

In reply to:

I tried 'modern love' and it was horrible.

That's because "Modern Love" is a shit song.

So what are you doing in Japan, Rose?

Trying to navigate TW reminds me of what it was like having dial-up service.

11/13/07 12:33 PM
Re: Bowie karaoke? new [re: Rose_Stardust]  

I sang Life on Mars pretty well at New Years Eve 2000, later on I gave a shot at China Girl which I nailed quite well considering the amount of alcohol involved.
Modern Love is a studio song, difficult to render live, even Bowie doesn't do it well, it has to be rocked a bit. And there's the voice...
Surrender your body to japanese chicks before you starve to death.

(crash course raver)
11/13/07 05:09 PM
Re: Bowie karaoke? new [re: Rose_Stardust]  

I was drunk and did "Heroes" at a family party.
Everyone seemed confused but my friend said that I pulled it off really well, and looked just like Bowie in the video, due to the way I could barely stand still due to the alcohol.
I made the grave error of trying to sing the live vocals over the studio version, which meant it sounded pants.

I reckon sticking to the more popular 70s and 80s is a good move though, everyone knew Heroes.

I reckon these would be pretty good at Karaoke:

Knock On Wood
Sound And Vision
China Girl

Don't listen to the crowd
They say jump

11/13/07 11:24 PM
Re: Bowie karaoke? new [re: guiltpuppy]  

Good God, guiltpuppy. That was a...detailed post. You've given this a lot of thought, I see. Good advice, in general.

I am shit at Bowie karaoke. I once did backing vocals for "Space Oddity," which was pretty good. Also, I did a pretty respectable job of the Freddie part of "Under Pressure." My duet partner was outstanding. He nailed Bowie's part. Come to think of it, we did "Young Americans" together later that night, but a lot of beer had been consumed at that point, so that's a bit of a blur.

"What's Tonga?" - Christopher Meloni

(cracked actor)
11/15/07 03:02 AM
Re: Bowie karaoke? new [re: Tristan]  

You are right. It is a shit song. I don't know what possessed me.

I am in Japan teaching english. Or I was until the company I work for went bankrupt.

he bought me a soda and he tried to molest me in the parking lot

(wise like orangutan)
11/15/07 11:45 AM
I Started a Joke new [re: WildWind]  

Great post, pups, and pretty much in line with my experiences. I've had some success with "Young Americans" and "Rock and Roll Suicide," both mostly because I was far too drunk to care if I was shredding my vocal cords - which is Requirement One for karaoke in my book anyway.

I've done "Under Pressure" in groups with limited success. I really need to try it with my friend who loves Queen like I love Bowie, but as he lives in LA now, it may be a minute.

Tried "Absolute Beginners" exactly once, which was a complete disaster. Not only does no one know it, but it's like 5 1/2 minutes long. Still, it went better than my recent attempt at Skid Row's "Wasted Time."

The lesson here is that a good song and a good karaoke song are two very different things, and sometimes you have to make a complete ass of yourself to find out for sure which way it's gonna fall.

That's genious and you're stupid.

(band intro)
12/31/07 03:12 PM
Karaoke is for losers new [re: Rose_Stardust]  

As far as crowd pleasers go, Space Oddity and Rebel Rebel seem to be good just about any time of the night since everyone at least recognizes them. Further in you can get away with Suffragette City - especially if it's an older crowd. Towards the final stretch of the night, as people are more likely to be drunk enough to dance to just about anything, pull out Golden Years and if you do it well enough the blacks in the crowd will think you're "one of the good ones."

I karaoke at a bowling alley. It's awesome.

"OK, I quit. You win. Last post. The end. Goodbye." - Stu, 1 October 2007

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