In reply to:
I really hate the production on Watch That Man for example.
He actually mentioned that in the video conference. He was listening to Watch That Man with the vocals way up in the mix, which is a traditional thing to do. He thought it sounded awful, so he put the vocal down in the mix, like it was just another instrument. The A&R person sent the recording back to him, and said he'd have to change it. Ken Scott sent his version of the song, and a version with the vocal louder, and they all agreed on Scott's side.
I'll have more details (pertaining to Bowie) written out here later.
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