In reply to:

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I really hate the production on Watch That Man for example.

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He actually mentioned that in the video conference. He was listening to Watch That Man with the vocals way up in the mix, which is a traditional thing to do. He thought it sounded awful, so he put the vocal down in the mix, like it was just another instrument. The A&R person sent the recording back to him, and said he'd have to change it. Ken Scott sent his version of the song, and a version with the vocal louder, and they all agreed on Scott's side.

I'll have more details (pertaining to Bowie) written out here later.

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