"Dave [Lloyd] was obviously on the verge of something splendid here, and I very much wanted to be part of it. That said, all we really had was a lot of unusable ideas flying back and forth through the aether and nothing very tangible as a result of it. One night, in desperation, I made a long list of concepts that I wanted to reflect in V, moving from one to another with a rapid free-association that would make any good psychiatrist reach for the emergency cord. The list was something as follows:
Orwell. Huxley. Thomas Disch. Judge Dredd. Harlan Ellison's "'Repent, Harlequin!' Said The Ticktockman." "Catman" and "Prowler in the City at the Edge of the World" by the same author. Vincent Price's Dr. Phibes and Theatre of Blood. David Bowie. The Shadow. Nightraven. Batman. Fahrenheit 451. The writings of the New Worlds school of science fiction. Max Ernst's painting "Europe After The Rains." Thomas Pynchon. The atmosphere of British Second World War films. The Prisoner. Robin Hood. Dick Turpin..."
Alan Moore, recalling the origins of the V for Vendetta comic book, Warrior Magazine #17, October 1983
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