Listen Localy: Rant Globaly

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18 Wheeler Forever - Scott H. Biram

Tamacun - Rodrigo y Gabriela

So Much Love - Cedric Burnside

Paper Planes - M.I.A.

On Our Own - Proton

One Last Look, Pezz

Symptomatic - Hank IV

Well is Deep - Polvo

Lost my Job - Alex Chilton

Hell Yeah - Neil Diamond

Preview: Scott H. Biram @ The Garage

Tampa-Sarasota December 4, 2008 | 2:36 PM Categories: Live, Rock/Pop, Upcoming

18 Wheeler Forever - Scott H. Biram

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SHB_proof.jpgSure, plenty of shows come to town and there are plenty of reasons to be excited about each and every one of them. But, unlike people, all shows are not created equal. Some, such as the Black Diamond Heavies show last month, are just more worthy of your unbridled enthusiasm. Scott H. Biram falls into that category. When Scott comes to your town you need to lock up the womenfolk, drink a few whiskey shots and get your ass to the show. I think my card carrying status in Scott's Church of the Ultimate Fanaticism Fan Club is well documented here on ninebullets, so I am gonna quote a Biram show review a friend of mine wrote after hearing/seeing Scott for the first time ever a few years ago:

Review: Rodrigo y Gabriela, Live In Japan

Charlotte December 4, 2008 | 2:30 PM Categories: Latin, Reviews

Tamacun - Rodrigo y Gabriela

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rodrigo y gabriela.jpgThe Deal: Dynamic acoustic duo show off its skills in a live setting.

The Good: They started out as electric guitar players in a metal band and have brought that energy to the acoustic guitar. Playing plenty of originals with a few covers thrown in, the duo strums their way through an hour and 15 minutes of music on this live set. The limited edition CD also comes with a bonus live DVD of five songs from the concert. The covers are Metallica's "Orion" and "One" and Led Zepplin's "Stairway to Heaven." Rodrigo Sanchez usually handles the soloing while Gabriela Quintero flips and flops her hand across the strings and body of the guitar to create a variety of percussive noises while keeping the rhythm going in chords. However two tracks give each a moment to shine with a solo - Rodrigo's solo contains a snippet of Metallica's "Master of Puppets." The set ends with a fantastic version of the high-speed, percussively intense "Diablo Rojo."

Preview: Cedric Burnside @ Ground Zero Blues Club

Memphis December 4, 2008 | 2:19 PM Categories: Blues, Interviews, Live, Upcoming

So Much Love - Cedric Burnside

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cedric burside.jpgThe Memphis area is a region of musical families. The (Sam) Phillipses, the (Rufus) Thomases, and the (Jim) Dickinsons are just the leading names in a long list of multigeneration music clans that help give the local music scene such a tight-knit personality. Another royal name in Mid-South music is Burnside. The late R.L. Burnside rivaled Junior Kimbrough as the chief purveyor of north Mississippi hill-country blues when both men were making the scene at Kimbrough's Holly Springs juke joint and winning converts across the globe via albums for Mississippi indie label Fat Possum.

R.L. Burnside may be gone, having passed away in 2005, but he's left a living legacy, most prominently in the form of sons Garry and DuWayne and grandson Cedric.

Cedric, who started playing drums behind his grandfather when he was barely in his teens, has backed up Kenny Brown and played alongside his uncle Garry in the Burnside Exploration since his "Big Daddy" passed away, but of late he's stepping into the blues limelight even more as one half of the "juke joint duo" alongside singer-guitarist Steve "Lightnin'" Malcolm.

After a self-released debut album, Burnside & Malcolm are making their real-deal debut this fall with 2 Man Wrecking Crew, a terrific update on the hill-country tradition released by blues label Delta Groove.

For the most part, Burnside plays drums and Malcolm guitar, but the duo trades instruments on three of the album's 14 songs and they share writing and singing duties, with Burnside taking a slight lead. Vocally, they provide a nice contrast, with Malcolm's rough bellow something of a blue-eyed Howlin' Wolf while Burnside has a sweeter, lighter, more musical voice that edges into soul on standout tracks like "My Sweetheart" and "That's My Girl."

M.I.A. Nominated for Record of the Year

Tampa-Sarasota December 4, 2008 | 1:53 PM Categories: Industry, Rap/Hip-Hop, Rock/Pop

Paper Planes - M.I.A.

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M.I.A.jpgI usually don't give a shit about the Grammys but must admit I was thrilled to find this email in my inbox this morning. I have been gushing about M.I.A. for some time and it seems mainstream audiences didn't get around to her killer, genre-hopping, world-flavored, lady gangsta single "Paper Planes," and the equally awesome album Kala, until the song was used recently in the Pineapple Express trailer. Perhaps exposure on the Grammys broadcast -- somebody still watches, right? -- will increase her profile. M.I.A. is one of the most exciting and brilliant young artists on the global stage. She should be playing arenas not tiny little sold-out clubs on Frenchmen Street, which was the case this year at New Orleans Jazz & Heritage Festival.

Interview: Thomasan of Proton

Atlanta December 4, 2008 | 1:40 PM Categories: Interviews, Rap/Hip-Hop

On Our Own - Proton

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Who are you?
Thomasan; a Chicago born writer, rapper, and producer.

Describe yourself in three words.
Tsk, tsk, tsk.

Who -- dead or alive -- would most you like to meet?
Quincy Jones

Who would you most like to slap in the face?
M. Night Shyamalan

Preview: Good Luck Dark Star & Pezz @ Tone Café

Memphis December 4, 2008 | 1:12 PM Categories: Live, Rock/Pop, Scenes, Upcoming

One Last Look, Pezz

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At the Hi-Tone Café this week, a couple of notable names in local music make a return with record-release shows on back-to-back nights.

On Thursday, December 4th, the band Good Luck Dark Star celebrates the release of their album You'll Need It. The band, named after the John Carpenter film Dark Star, is led by singer/songwriter/guitarist Bret Krock, who fronted energetic local faves Eighty Katie at the beginning of the decade and, more recently, was seen alongside several of the city's most prolific musicians in the bar band The Lights.

According to Krock, You'll Need It evolved out of an aborted Lights album project.

"That band dissolved over the course of a year while I was writing new songs to round out the album," Krock says. "I was ready to start recording, and they were losing interest."

The album was abandoned for a while and then restarted as a solo project, with Krock adding new songs to a few leftovers from the Lights repertoire. The final product is a departure from the energetic, more retro rock sound of Krock's last recorded incarnation, Eighty Katie, where everything seemed like an encore from Cheap Trick's Live at Budokan. The new music is slower, more melodic, and more textured though still very much in a classic-sounding rock vein.

"I guess I felt that if you weren't playing big rock songs you would lose people's attention," Krock says of the change. "It took me awhile to get out of that mindset. I got a piano and started writing on it. I really loved being in Eighty Katie, but I wanted to do something different. My tastes have also changed as I've gotten older. I'm not as scared of non-guitar songs. Basically, I went from writing a song I wanted to play live to something I wanted to record."

Nevertheless, Krock did get the itch to play live again, which led to recruiting a new batch of musicians to translate You'll Need It to the stage, including Preston Todd on drums, Johnny Guttery on guitar, and Dirk Kitterlin on bass.

"I've always been uncomfortable with putting my name on it," Krock says on converting what was essentially a solo project into a full-fledged band. "I like being in a band. It's much more fun. I like writing with other people and the camaraderie."

Good Luck Dark Star plays the Hi-Tone Thursday, December 4th. Doors open at 9 p.m. Admission is $5.

Preview: Hank IV @ El Rio

San Francisco December 4, 2008 | 11:04 AM Categories: Alternative/Punk, Live, New Band Alert, New Releases, Upcoming

Symptomatic - Hank IV

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hank iv.pngEver wonder what it would've been like to live in Cleveland in the late '70s? Me neither! But I have wondered what it would be like to hang out in the "Mistake by the Lake" clubs of that era, when proto-punk bands like the Pagans, Electric Eels, Deadboys, and Rocket From the Tombs all rocked hard as trigonometry. And now, thanks to Hank IV, you -- and I -- can do just that, sorta.

Kermit the Frog and James Murphy, together at last

New York December 4, 2008 | 9:17 AM Categories: Electronic/Dance


We love ourselves some LCD Soundsystem over here, with its affected ennui and silvery-sounding glammy goodness. And we love this billionaire-funded town that we call New York. But we still love Kermit the Frog, so it's nice to have it all in one tidy package. While we're at it, after the jump, some more hand-puppet goodness synched up to that 70's sound, grooves that even the cantankerous Murphy can get with.

TONIGHT: King Khan at Wired Store

New York December 3, 2008 | 10:32 AM Categories: Alternative/Punk, Live, Rock/Pop, Upcoming
kk.jpg
Online psych/folk/ weirdo music store Anthology Recordings celebrates the holidays with an evening of rare grooves (spun by no less a dignitary than Finders Keepers labelhead Andy Votel) and a musical performance from the King Khan & BBQ Show. Should those aural pleasures not be heady enough for you, the evening will be lit up by the legendary Joshua Light Show, which powered many a trip back in the days at the Fillmore West.
Wednesday December 3rd @ WIRED Store 15 West 18th Street 6 -10 pm

Preview: Polvo @ The Earl

Atlanta December 3, 2008 | 8:57 AM Categories: Live, Rock/Pop, Upcoming

Well is Deep - Polvo

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polvo.jpgIn all of its potential for presenting flawed and misleading information, Wikipedia pretty much hits the mark when it comes to math rock. The oft-vilified source for universal information calls the genre "a rhythmically complex, guitar-based style of experimental rock music ... characterized by complex, atypical rhythmic structures (including irregular stopping and starting), angular melodies, and dissonant chords."

That sounds about right. And it's pretty much the same string of adjectives that most respectable journalists have been rearranging for years when trying to describe the sound. But the legitimate media harbors a somewhat skewed perception of North Carolina's accidental math rock foursome Polvo.

Throughout the '90s, the Chapel Hill-based group seemed like just another math rock band. Their albums were good, earnest and distinctive; but not the stuff of legend. At least they didn't seem so at the time. They were akin to the musical legacy kicked off by Slint in Louisville, Kentucky in the late '80s, which came to a head with Chicago's Thrill Jockey Records scene that dominated indie rock real estate during the Clinton years.

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